My practice moves between the observation of space and its documentation, often resulting in derealised images that disrupt the conventional definition of their contents, or texts that strive to dilute signification. I study atmosphere through notions of locality and placehood, the defining features that allow a place to emerge within space. I tend towards photographic methods and devices as tools for documentation and I meditate on the relationship between light, colour, material, and mood through the placement of installations. It is important that the work I make is viewed as processes of thinking, rather than individual objects.

 

I am interested in framing as a material and conceptual act: one that punctuates artistic process while determining the conditions of its perception. My practice questions the relationship between frames, boxes, and rooms: Each is a structure, gathering, containing, and shaping things in itself. Each forms the edges of a situation, determining what can be seen and how. By unfolding their relationship, I attempt to defamiliarise mechanisms of display that operate across everyday life and exhibition spaces.

 

It is important that the work I make is viewed as material traces of thought processes, rather than discrete objects.